Biggulp
CLIENT
Vik · Biggulp Bangkok
LOCATION
Bali, Indonesia
SERIES
5 × 30s · May 2026
Biggulp
Bangkok
Bangkok
Bali 2026 · Content Series
Produced by Knox Artiste Studio
Knox · Ashton · CM
02
SCENE 02 / 09
THE APPROACH
Five pieces.
Five days. One bartender.
Five days. One bartender.
Here's what we're making — and how.
WHAT IT IS
Five 30-second pieces, one per day across five days. Shot in dedicated windows before guests arrive — bar prep, setup time, the quiet before the room fills.
THE LENS
Vik's craft and personality. The signature cocktail as the visual anchor. Content built for Vik's own social media and B2B use. The wedding is the backdrop. Vik is the subject.
THE CREW
Ashton on A-roll. CM on B-roll and close-ups. Every piece is shot multicam so Vik can talk cleanly and the edit never depends on a single perfect take.
03
SCENE 03 / 09
PIECE 01
PIECE 01
The Signature
DAY 1 · 30 SECONDS · BARTENDER-LED
Vik introduces the signature cocktail. What inspired it. What's in it. What it's built to do for this wedding. Not a tutorial — a bartender's first impression on his own terms. The piece that sets the tone for the whole series.
SHOOT NOTE
Ashton shoots Vik to camera — full 30s take. CM shoots close-up B-roll: the ingredients, the glass, the pour. If Vik stumbles, CM's coverage makes the edit seamless. Window: pre-event setup, Day 1.
CM captures at least one slo-mo pour of the signature cocktail on this day — it will be reused across the series.
04
SCENE 04 / 09
PIECE 02
PIECE 02
The First Pour
DAY 2 · 30 SECONDS · BEHIND-THE-BAR
The first time the cocktail is served to a full house. Vik on what changes when you go from prep to service — the pace, the volume, the energy shift. What does it feel like to pour the same drink 80 times in a night and still make each one feel like the first?
SHOOT NOTE
Shot during bar prep before the evening service. Ashton on Vik to camera. CM shoots the bar setup — bottles lined up, tools ready, the bar before anyone arrives. Slo-mo: ice, garnish, the final arrangement.
05
SCENE 05 / 09
PIECE 03
PIECE 03
The Room
DAY 3 · 30 SECONDS · NIGHT BEFORE THE BIGGEST NIGHT
Day 3 is the Sangeet — the biggest bar night of the week. 250+ guests, a live 34-piece band, running until 5am. Vik on what it takes to run a bar on a night like this. The volume. The stamina. What he does to prepare mentally for a night that long.
SHOOT NOTE
Shot during the soundcheck window before the Sangeet doors open. Ashton on Vik in the Imperial Ballroom — the scale of the empty room behind him. CM captures the bar being set up: bottles, ice, the sheer quantity of prep. High-value B-roll day.
06
SCENE 06 / 09
PIECE 04
PIECE 04
The Craft
DAY 4 · 30 SECONDS · TECHNIQUE-FOCUSED
Vik in pure technique mode. The Mehendi Sundowner at the Main Pool — a daytime event, natural light, a different energy. This piece goes tighter: his hands, his movements, the precision in a single pour. Less talking. More showing. The bartender as craftsman.
SHOOT NOTE
Shot before the Sundowner setup completes. Ashton on close-up Vik — hands, face, the cocktail being assembled. CM shoots tight slo-mo: the pour, the stir, the garnish drop. This is the most visually driven piece of the five.
07
SCENE 07 / 09
PIECE 05
PIECE 05
Last Call
DAY 5 · 30 SECONDS · CLOSING PIECE
The wedding day. The final event. Vik closes the week. What designing a cocktail for a destination wedding at this scale actually feels like. What he'd want people to know about the craft behind it. The piece that lands after five days.
SHOOT NOTE
Shot during the After Party setup window. Ashton on Vik to camera — the closing statement. CM shoots the bar on the last night: the bottles, the setup, the end-of-week state. Optional: one final slo-mo pour to bookend the series.
08
SCENE 08 / 09
HOW WE SHOOT
The Multicam
Approach
Approach
A-ROLL · ASHTON
The Take
Full-length clean take — Vik speaks directly to camera for 30 seconds. Multiple takes if needed. This is the editorial spine of each piece. Shot first.
B-ROLL · CM
The Coverage
Shot separately after the A-roll is done. Close-ups, slo-mo cocktail details, hands, pours, bar setup. CM has full freedom once Vik's take is locked. The B-roll is what covers any stumbles and makes the edit smooth.
THE WINDOW
Timing
Each piece is shot in the 45–60 minutes before the event opens to guests — during bar prep and setup. Knox coordinates the window each morning. Vik is briefed the night before on the concept for the next day.
Vik does not need to be perfect in one take. The multicam approach means any moment where he stumbles mid-sentence can be covered with a B-roll cut. The edit will always feel clean.
Bali.
Biggulp.
Knox.